Showing posts with label prose poems. Show all posts
Showing posts with label prose poems. Show all posts

Tuesday, April 19, 2011

National Poetry Month: 30 New Poems--19th poem

More prose poetry for you to enjoy. A new (to me) poem by Ray Gonzalez:

"And There Were Swallows"
by Ray Gonzalez
  Tadpoles seeing the future for the first time, monuments against the tide when the bats flew in and out of Carlsbad Caverns, cycles of burned ghosts who fell into the secret caves in the late nineteenth century.

   And there were swallows in the memory of lust, hundreds of them guarding the opening in the desert, shadows plunging below the waist to guess where the body begins, where the soul stops searching, darting wings captivated by the flame in the will where the wind becomes the sound inherited after stepping too far into the mind.


Read the final two stanzas here. Have I mentioned how much I love the new Poetry Foundation website? I'm going to need to blog about that in detail in May. That and so many other things! Until then, enjoy the rest of National Poetry Month and the ten remaining poems in this series.

Wednesday, April 13, 2011

National Poetry Month: 30 New Poems--Poem Fourteen

Haven't had any prose poems in this National Poetry Month series yet. How did that happen? Not sure. Let's fix that, shall we?

from genesis
by Laura Walker

in the beginning the sound of holes, and the weight of treason and light paper streamers. and a hundredfold, and below; and the girls with thickening braids, wet paper maps, brought round at last to see the slick animal caught in the rain. and the deluge; and the dark; and the story past the window

and the window
and the stutter


Read the final half here. I like the first half, but the second half and the ending are even better. Hope this new (to me) poem is one you enjoy.

Friday, January 28, 2011

Poetry Mix Tape: Prose Poems

It's been awhile since I last posted a Mix Tape. If you aren't familiar with the concept, you should check out the earlier incarnations. I think you'll find it satisfactory and self-explanatory. And to make up for the dearth of Mix Tapes, I'll provide you, dear reader, with an super-sized edition for your reading enjoyment.

For this installment, I'm focusing on prose poems. For awhile, I couldn't figure them out. They seem pretty straightforward, but how can something be both prose AND poetry? Silly me. So naive. Since I started exploring them, I've figured out there's so much more to them than meets the eye. It's all in the language, the imagery, the sounds, the rhythm. All that's really missing are line breaks--they are poems through and through. And when they're well written, I find them irresistible. I think it's the prose poems with a "stream of consciousness" feel to them that I'm drawn to the most.

Take "A Supermarket in California," by Allen Ginsberg for example. I'm not a Beat kind of guy. But a prose poem about Walt Whitman? With the word What's not to love? Take a look:
 What thoughts I have of you tonight Walt Whitman, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon. 
         In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations! 
         What peaches and what penumbras! Whole families shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!—and you, Garcia Lorca, what were you doing down by the watermelons? 
Read the last two stanzas here and bask in all the psychedelic ramblings that make up this terrific poem.

But wait, it gets better. Ales Debeljak is a Slovenian poet whose following prose poem was published in Naomi Shihab Nye's international anthology This Same Sky:
The sodden moss sinks underfoot when we cross half frozen bays and walk through birch groves, wandering in an uneven circle that widens into darkness, through the minds and bodies of men and animals trapped in last year’s snow - no: trapped from the beginning, emptiness all around us, ice collecting on our pale faces, I can hear you singing on the run, an unknown melody, I can’t make out the words, clouds of breath freeze on your fur collar, eyes open wide as we trudge through silence and weakening starlight, through the fevered babble of children exiled to distant camps, insects, curling up under bark, December or June, no difference
Read the remainder of this beautiful piece here. I think it's all one sentence. And I like that. A lot.

My final sampling reminded me of my 2010 trip to Los Angeles (apparently I'm still obsessed with California). So descriptive and perfectly arranged, Fanny Howe's "Everything's a Fake" starts like this:
Coyote scruff in canyons off Mulholland Drive. Fragrance of sage and rosemary, now it’s spring. At night the mockingbirds ring their warnings of cats coming across the neighborhoods. Like castanets in the palms of a dancer, the palm trees clack. The HOLLYWOOD sign has a white skin of fog across it where erotic canyons hump, moisten, slide, dry up, swell, and shift. They appear impatient—to make such powerful contact with pleasure that they will toss back the entire cover of earth.
You can finish it here.

If you like prose poems as much as I do, allow me to recommend these as well:


Well, I sure have provided a deluge of reading material, haven't I? I hope you're able to take the time to explore these or at least bookmark this page or subscribe via RSS or email or (shameless plug) add me to your blogroll so you can come back and read more when you have time. And if I'm missing one of your favorite prose poems, by all means let me know in the comments.